Suzanne Hittman Collection of the Pike Place Market
Preview up to 100 items from this collection below. Explore the early history of the Pike Place Market through letters, receipts, plans, rental agreements and other documents related to the market’s business.
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Mark Tobey was born in Centerville, WI in 1890. Beginning his career as an illustrator, Mark Tobey was a deeply religious man, converting to the universalist Baha'i faith in 1918, which would in some way influence all of his works. After extensive traveling, including a period of time at a Zen monastery in Japan, Tobey taught art and philosophy at Dartington Hall in England until 1937. He then developed his "white writing" technique, painting white cursive writing on dark canvas, a technique which he (and many other Northwest artists) would use extensively until his death. He was one of the four painters LIFE magazine described as "Northwest Mystics". The others were Guy Anderson, Morris Graves and Kenneth Callahan. He died in 1976 in Basel, Switzerland.
Identifier: spl_art_T552Pr
Date: 1961
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Letter from Pacific Northwest Theatres, Inc. to Arthur Goodwin regarding the United Artists Theatre in Pike Place Market, February 26, 1927
Letter from Pacific Northwest Theatres, Inc. asking permission from Arthur Goodin to install a lighted sign for the United Artists Theatre (formerly known as the Liberty Theater) at Pike Place Market. The letter states that the sign will not only help the United Artists Theatre but other businesses as well because 'the sign will light up what is at the present time a rather desolate spot.'
Identifier: spl_sh_00115
Date: 1927-02-26
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Thank you note from Mrs. Otto A. Case to Frank or Arthur Goodwin, December 29, 1926
Note from Harriett Case thanking Frank or Arthur Goodwin for sending a basket of fruit. Harriett Case was the wife of Otto A. Case, a Seattle City Council Member who went on to become the Washington State Treasurer.
Identifier: spl_sh_00032
Date: 1926-12-29
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Letter from John J. Rowan to Arthur Goodwin regarding the New York Central market, November 21, 1927
Letter from John J. Rowan to Arthur Goodwin regarding the New York Central market, asking if he will be taking a role in the planning process.
Identifier: spl_sh_00122
Date: 1927-11-21
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Letter from A.H. Albertson regarding funds donated to prevent African Americans from buying property, November 7, 1927
Letter regarding funds collected from property owners near 34th Avenue to prevent the property at 507 34th Avenue from being bought by African Americans. The recipient of the letter is unknown.
Identifier: spl_sh_00068
Date: 1927-11-07
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Pioneer Building interior, February 5, 1975
Staircase and offices in the interior of the Pioneer Building in Seattle, Washington.
Identifier: spl_dor_00014
Date: 1975-02-05
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Note written on Crystal Palace Public Market letterhead, October 8, 1927
Note from unknown sender confirming receipt of what a appears to be a life insurance policy from Arthur Goodwin. The note is written on letterhead for the Crystal Palace Public Market in Tacoma. Members of the market management are listed in the top left corner including Arthur Goodwin, Chas. B. Hurley, Claud L. Hawley and J.C. Heitman.
Identifier: spl_sh_00113
Date: 1927-10-03
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Clipping on construction of new Bon Marche building, 1927
Seattle Post Intelligencer clipping discussing the start of construction on the new Bon Marché building.
Identifier: spl_sh_00024
Date: 1927-08-07
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[Title illegible]
Frank Asakichi Kunishige was born in Japan on June 5, 1878. He came to the United States via San Francisco in 1895. After graduating from the Illinois College of Photography, he opened a small photography studio in San Francisco. Kunishige moved to Seattle in 1917. In the same year, he married Gin Kunishige and began working in the studio of Edward S. Curtis where he became acquainted with Ella McBride who he worked for in later years. Kunishige was well known for his use of Pictorialism, a popular painterly style of photography. He developed his photographs on "textura tissue," a paper of his own creation, which allowed him to produce almost dreamlike prints. His work was featured nationally and internationally in exhibitions and publications such as Photo-Era and Seattle's Town Crier. In 1924, Kunishige became one of the founding members of the Seattle Camera Club, a group of local photographers including Kyo Koike, Yukio Morinaga, Iwao Matsushita and Fred Y. Ogasawara who gathered to share techniques and ideas, as well as their deep love of the medium. Although the group was initially solely Japanese, they soon welcomed more members including Ella McBride, their first female member. When World War II struck and the country's Japanese internment policy was put in place, Kunishige and his wife were forced to leave Seattle for Idaho where they were interned at the Minidoka camp. After their release, Kunishige spent two years working at a photography studio in Twin Falls, Idaho but eventually returned to Seattle due to his poor health. Frank Kunishige passed away on April 9, 1960.
Identifier: spl_art_367924_41
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Temporary span looking south at 12th Ave. S bridge, May 30, 1968
Temporary span on the Jose Rizal Bridge (renamed from 12th Avenue South Bridge in 1974) which carries 12th Avenue S over S Dearborn St. View faces south over the I-5 freeway where Smith Tower and the Space Needle can be seen in the distance. The building under construction at the center of the photograph is Safeco Plaza.
Identifier: spl_dor_00017
Date: 1968-05-30
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