Century 21 Digital Collection
Preview up to 100 items from this collection below. Seattle’s 1962 World’s Fair showcased Seattle as a space-age city. See photos, brochures, postcards and other items related to Seattle’s 1960s vision of the future.
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View N.W. of Skyride from Gay Way [i.e. Gayway]
The Skyride of the Century 21 Exposition (Seattle World’s Fair). “The Skyride, which starts in the amusement zone, ends in the International Mall on the other side of the Fairgrounds. It is something more than the typical midway ride. Cables strung 60 and more feet above the ground carry bucket-like cars, with capacities of three persons, on a 1,400 foot sky ride. The passengers see the fair below them.” (Official Guide Book, Seattle World's Fair 1962. Seattle: Acme Publications. p. 115.)
Identifier: spl_wl_exp_00984
Date: 1962-04-18
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Exterior to African Exhibit Pavilion
Africa Pavilion of the Century 21 Exposition (Seattle World's Fair). "The nations of Africa, the majority of which have achieved independence since the end of World War II, are introduced and explained in the African Nations Pavilion on the International Mall. The exhibit shows how experts expect the African continent to develop in the next four decades. It explains the differences between the African peoples and the size and shape of the many new nations on the world’s second largest continent. Included in the displays, which were arranged in cooperation with several universities and associations, are African artifacts and handicrafts." (Official Guide Book, Seattle World's Fair 1962. Seattle: Acme Publications. p. 84.)
Identifier: spl_wl_exp_00019
Date: 1962-04-18
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Ford Motor Co. Pavilion; entrance to space trip show
Ford Motor Company Pavilion, Century 21 Exposition (Seattle Worlds Fair). "A realistic simulated journey to outer space aboard a specially constructed, 100-seat passenger spacecraft is just one of the attractions at this exhibit, one of the most popular on the grounds. Also featured is the farm of the future, a dream car, consumer products of tomorrow and a new products display. Lee Kollins, Manager." (Official press book : Seattle World's Fair 1962. Seattle: Century 21 Exposition, p. 40.)
Identifier: spl_wl_exp_00467
Date: 1962-10
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Space Needle at night, 1962
Space Needle, Century 21 Exposition (Seattle World’s Fair). “The Space Needle, a modernistic totem of the Seattle World’s Fair, was conceived by Eddie Carlson as a doodle in 1959 and given form by architects John Graham Jr., Victor Steinbrueck, and John Ridley. When King County declined to fund the project, five private investors, Bagley Wright, Ned Skinner, Norton Clapp, John Graham Jr., and Howard S. Wright, took over and built the 605-foot tower in less than a year.” (Walt Crowley, “Space Needle (Seattle).” HistoryLink.org, http://historylink.org/index.cfm?DisplayPage=output.cfm&file_id=1424)<br><br>Clarence E. "Gene" Voiland was a West Seattle pharmacist who enjoyed using his new Balda Baldamatic I 35 mm camera.
Identifier: spl_c21_jv_025
Date: 1962
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James A. Wehn with Judson Toll Jennings plaque, ca. 1949
Transcribed from photograph: "Portraits. Jennings, Judson Toll. Librarian. Seattle Public Library. 1907-1942."
Identifier: spl_shp_35021
Date: 1949?
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U.S. Science Pavilion interior
United States Science Pavilion, Century 21 Exposition (Seattle World's Fair). “Beneath five arching towers representing man’s constant striving for knowledge for the universe will be presented the most significant scientific display ever assembled…It is the United States Government’s Science Exhibit, a $9,000,000 program of participation including a giant six-building pavilion and unique exhibits dedicated to showing the peaceful uses of science. Stepping out of the textbook into the techniques of showmanship will be the authentic story of the tremendous break-throughs in the barriers which now stand between man and his conquering of space, his control of weather, disease, and over-population of the world.” (Washington State Dept. of Commerce and Economic Development. Seattle World's Fair preview. Seattle: Acme Publications, 1961, n.p.)
Identifier: spl_wl_exp_00850
Date: 1962-10
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Class of South School, ca. 1890
Transcribed from front of photograph: "Seattle Portraits. Group. Class of South School. 3rd grade. Miss Hamlin, teacher. 1889-1890." Transcribed from back of photo: “THIRD GRADE-1889-90-Foto From Zoe (Stetson) Renninger. Miss Hamlin Teacher 1 Bess Laurimore 2 Rachel Garfinkle 3 Lizzie Jones 4 Bertha Dishon 5 Henry Hanke 6 Eddie Boyle 7 Hallie Philbrick 8 Jack Griffin 9 [unnamed] 10 Hayes Wakefield 11 Lou Singerman 12 [unnamed] 13 [unnamed] 14 [unnamed] 15 [unnamed] 16 [unnamed] 17 [unnamed] 18 [unnamed] 19 Walter Hilton 20 [unnamed] 21 [unnamed] 22 Walter Cure 23 Charles Hoege 24 Fritz [blank] 25 [unnamed] 26 Miss Hamlin 27 [unnamed] 28 Bert Ehle 29 [unnamed] 30 [unnamed] 31 [blank] Evans 32 [unnamed] 33 Elias Nelson 34 Peter [blank] 35 Willie McDonald 36 [unnamed] 37 Clara Monasmith 38 Elsie Bruns 39 Irene Lesser 40 [unnamed] 41 [unnamed] 42 Sarah Howard 43 Leila Baldwin 44 [unnamed] 45 [unnamed] 46 Zoe Stetson 47 Irma Ranke 48 Blanche [blank] 49 Nellie Houtz 50 Jessie Roberts 51 Osco Cure 52 Jennie Severence 53 Gertie Stevens 54 [unnamed]
Identifier: spl_shp_22760
Date: 1890
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Space Needle & House of Light [i.e. Plywood Home of Living Light]; View S.E.
Space Needle and Plywood Home of Living Light exhibit, Century 21 Exposition (Seattle World's Fair). On the Space Needle: “The Space Needle, a modernistic totem of the Seattle World’s Fair, was conceived by Eddie Carlson as a doodle in 1959 and given form by architects John Graham Jr., Victor Steinbrueck, and John Ridley. When King County declined to fund the project, five private investors, Bagley Wright, Ned Skinner, Norton Clapp, John Graham Jr., and Howard S. Wright, took over and built the 605-foot tower in less than a year.” (Walt Crowley, “Space Needle (Seattle).” HistoryLink.org, http://historylink.org/index.cfm?DisplayPage=output.cfm&file_id=1424) On the Plywood Home of Living Light: "The unique Home of Living Light for Tomorrow, The Douglas Fir Plywood Association Exhibit which dramatizes the many possibilities of a completely new approach to home construction, is located on Freedom Way, at the north end of the Boulevards of the World. The Practical Builder, a trade publication, cooperated in the design of the house, which was created by the Tacoma architectural firm of Liddle and Jones. The walls are made of continuous wood paneling which, like corrugated packing paper, is rigid in one direction and flexible in the other. The results are walls that can take shape and still support the required roof loads." (Official Guide Book, Seattle World's Fair 1962. Seattle: Acme Publications. p. 47.)
Identifier: spl_wl_exp_00594
Date: 1962-04-28
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Coliseum under construction; Architect: Paul Thiry; View north
Washington State Coliseum, Century 21 Exposition (Seattle World’s Fair). “Superlatives are helpful in describing the fair’s $4 million theme building, for it is one of the largest clear span structures in the world; and the aluminum roof, the only one of its kind in existence, sweeps 110 ft. into the air at the apex, supported by steel compression trusses rising from massive concrete abutments.” (An Architect’s Guidebook to the Seattle World’s Fair. Seattle, Pacific Builder and Engineer, April 1962, p. 17.)
Identifier: spl_wl_sec_00468
Date: 1961-03
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Hofbrau Haus Century 21
Menu of Hofbrau Haus, a German restaurant at the Century 21 Exposition (Seattle World's Fair), operated by Seattle restaranteur Andy Nagy, whose other Seattle restaurants included Andy's Diner and Li'l Abner's.
Identifier: spl_c21_2814053
Date: 1962
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